Ubisoft's precious little sport can fight with the large dogs.
There are avid gamers out there who won't ever even attempt Scott Pilgrim Vs. The World: The Game. Most seasoned avid gamers will in all probability discover the last two phrases of the sport's title, and dash for Bobby Kotick's hills like they might from an Uwe Boll production. There's frankly a greater probability of them giving Scott Pilgrim Vs. the world: The breakfast cereal a shot, and that's rather unfortunate, but understandable. Video games based mostly on movie and/or comedian licenses hardly ever ever shine with the standard their licenses deserve. But Scott Pilgrim Vs. The World, based on Bryan Lee O'Malley's cult hit comedian series, however, shines with the care, respect, and polish that made Fortress Crashers an arcade hit. Imagine it. This one's even better than the movie it is loosely based mostly off of, and that's quite the rarity.
Speaking of the film, there's little connection between it, the comic, and the sport moreover the basic setup-- Scott Pilgrim, lazy Canadian gamer extraordinaire, is dating the lovely, slightly emotional Ramona Flowers. Problem is, Ramona's seven Ex-boyfriends are out to pound Pilgrim and break up the relationship like a dojo board. Cue seven ranges of side-scrolling, beat-em-up gameplay playing as Scott, Ramona, and fellow Intercourse Bomb-Omb band members Kim Pine and Stephen Stills. The story is straightforward and never gets in the best way as you beat down the hoards of Toronto, making your way to the stage's end and an Ex-boyfriend ready to rock you. All in the name of love, of course.
Gameplay may be very reminiscent of the traditional beat-em-ups from Capcom and Sega, but because of some light RPG elements, a slew of unlockable moves which can be truly helpful, and four player co-op (no pleasant hearth!), the straightforward brawling gameplay feels polished up to fashionable standards. There are plenty of weapons to seek out and use, plenty of objects to throw at enemies, and plenty of humor to keep you chuckling. Try to conceal a smile as you beat up paparazzi, throw teammates at harmless fans, and trash a film set (or 5), I dare you.
Not only does Scott Pilgrim know the best way to throw a punch, he also knows the right way to look the part. Scott Pilgrim Vs. The World boasts one of the most spectacular 8-bit artwork styles I've ever witnessed. The environments are colourful, animated, and full of clean parallax scrolling. You'll even be astounded by the amount of detail packed into this eight-bit style. Artist Paul Robertson has achieved some absolutely phenomenal work making the arenas and streets of Scott Pilgrim look polished and retro, but even higher than his environments are his characters. Scott Pilgrim seems to be harmless and innocent, a true underdog, till he busts out his flaming dragon uppercut. Ramona seems to be chibi, cute, and much more colourful than her movie counterpart. Kim and Stephen deliver their own unique taste to the group, and the assorted boss Ex's all look suitably menacing after an extended, well being-sucking trek by their stage. Even the generic thug characters look nice, typically inciting humor as stereotypical geeks lose their mind and panic whereas enemy bandits gander about in sinister fashion. Maybe most impressive of all are the character animations, which move easily and impressively as the solid perform considerably simple, but impressively choreographed fight moves. Scott Pilgrim never strays too far from the style and humor of its comedian-e book inspiration, but still manages to find its personal style as a significantly good-wanting eight-bit game. Scott Pilgrim will light up your screen.
And while your display screen is busy pushing these purty pixels, your speakers will probably be jumping to an electrifying unique score from 8-bit band Anamanaguchi. The songs themselves seem capable of inspiring headaches after awhile, and the completely different tunes ultimately begin to sound slightly too related, however total the soundtrack suits in with the game's retro vibe and complements the motion well. In addition to the soundtrack, the sound results pack a pleasant arcadey punch, and the lack of voice appearing is probably a godsend.
Don't suppose this will probably be a stroll in the park although, the sport is sort of troublesome for the lone player. I took me round five tries to best the first Ex, Nevertheless, the sport supplies a River Metropolis Ransom-like energy-up system that can give even the solo gamers a preventing chance. It's also a reasonably temporary experience at around four or five hours. Throw in some 4-player co-op and the sport get's a lot more fun, much more ridiculous, and sadly lots shorter. Nonetheless, there are unlockable modes and characters, and enjoying via once more as the pretty distinct alternate characters is worth the effort, if just to see their superior animations and particular moves. At ten bucks, you may be happy with the quantity of game you get here, especially when its of such high quality.
Last Feedback
Scott Pilgrim will not be a revolution of the brawling, beat-em-silly formula, however darn if it hasn't nearly perfected the genre. Ubisoft has completed a unbelievable job making a responsive, deep, and replayable brawler that not only harkens back to the classics of old, however outdoes them. Paul Robertson knows how you can push a really, very fairly pixel, and the game does service to its comic-e book roots whereas discovering a cohesive and beautiful eight-bit model of its own. The audio is fitting, and the game will give you sufficient playtime to justify its modest ten-dollar price tag. Positive, online co-op would have been nice, but guess what else is nice--Scott Pilgrim Vs. The World: The Game. Bryan Lee O'Malley should be proud to have such an exquisite title serving his treasured little license, and you will undoubtedly be proud to personal this game.
MF
